Here we are. It’s cold but the days are getting longer, more sun with each day. Roses are getting caned, persimmons are their beautiful bright orange and making a mess. A cold rain is coming down pretty heavily after a cloudy day. Here are some recent shots of the trees. It is still something I like to notice each day, some days are better than others in terms of the image offered.

November 2022

Both so much, and seemingly so little, have happened since August.

A great first quarter at school with some fun new students, continuing students, and unique projects. It has felt long at times, but now we are looking at Thanksgiving break this coming week.

As I look back since the August update… The gallery show with John Eames and our etc… project was a great learning experience. I had committed (to myself) that I would participate in the More the Merrier show at the Art Ark and so working on that has been a good learning experience too. The closing reception is December 2nd and I have learned a few things from the opening reception that I can carry forward.

more the merrier, art show postcard. reception dates and artist list
More the Merrier 2022

This has helped me with my regularity of working for myself. It is still very sporadic, but I am starting to get some ideas on a workflow that is realistic for where I am in life. I also appreciate that I do not have to make a living and don’t feel a strong desire for a “side hustle”. I enjoy making work, that turns out to be an eclectic mix of what I have started calling sketches. I have also been able to share this experience with students and talk about pricing, what people will pay for artwork, and topics around sales.

I am working on putting some abandoned artwork up in conjunction with the Peninsula Pottery and trying to clean out the studio as well as have some donations for Second Harvest.

Thank you for checking this out, feel free to reach out with questions or comments.

August, already.

Time sure does go by fast. It is hard to believe that the first few days have passed and we are so close to the new school year. Tomorrow, there is a gallery opening for Barrows, a show put together by myself and John Eames as part of the Eames/Tillson Collective (ETC). We have been working together for a while now on this series of barrows and a few months back got access to Art Ark Gallery in San Jose. The gallery has openings in conjunction with South San Jose’s First Friday Art Walk.

In addition to getting ready for this show, we have a piece in a gallery up in Roseville. The piece is actually part of the Barrows series but figured the Art Ark show would be fine with one fewer piece. It is good to have a piece in a different region.

I am also working on a mock-up for the Artomat machines. This company takes old cigarette vending machines, fixes them up, and then organizes various artists to create art to vend. Pretty sweet idea, with beautiful machines, and fun art collections.

Schools out, again.

So I’ve just completed my 23rd year of teaching. This year, back in person from the COVID closures, was a thrill. It was not without its challenges, but what a relief to be back in person.

Students created some great works, we had some positive raku firings, a successful student art showcase, we created a display to go along with the drama programs show of The Old Man and the Old Moon, and donated some vases to an Art in Action fundraiser, we worked again with the Mandarin class to make terracotta warriors. I had two staff members come in to work with clay on their own projects.

I was able to attend NCECA and reconnect with some friends, I helped again create a piece for the de Young Museum’s Bouquets to Art fundraiser. Some other projects include the ongoing hideNsheep, and with ETC have a gallery show with the opening this coming August.

Mugshot Monday & other collections.

I think it comes down to collections… that don’t take up too much physical space. As a kid, I collected stickers, M.U.S.C.L.E.Men figures, and business cards among other things. Now, it’s images of shapes or objects that catch my eye. 

Here are some mugshots from the past, just a few to get us going. A while back I was taking these of all the mugs, the good and the less than good. I have a new collection starting that I shared with a friend who pointed out it was like the water tower images from Hilla and Bernd Becher. I hadn’t heard of them before, but am intrigued to look closer at their work. I relate it more with that of Sol Lewitt’s PhotoGrids. I have a few books worth of Rounds that I have been collecting over the years too.

Periodic Practices & Histories

Welcome to the post where I will dig back through some previous works, or talk about a project that I have or have had going on. Just a place to start to put out some of what I’ve done, or am doing. Thank you for checking it out.


I don’t know if I will ever sell anything, but I am enjoying the idea of the connection between a real-life object and an NFT for the object. There is an article in Ceramics Now about a gallery in Portland, OR hosting a show with objects backed by NFTs. I did list a piece on Rarible, a raku-fired panda head. One aspect that is a challenge is that I have not, with my limited attempts, found a way to have more than one image. If listing a physical object, more than one view would be preferable. As with most everything else, there’s more to come.


Whistlepig Studio

Having just been introduced to this site and work, I am really enjoying the Guardian Monsters. Even more, I appreciate the sharing of the inspirations and collection of images and experiences that go into a specific piece in what is called “The fixins for, the makins of…” Looking at a few of the images closer, there is an explanation as to how the final piece came about. Feeling a bit like a game of exquisite corpse sourced from travels and eye catchings of the artist. I have not spent too much time on the site or looking at their work, but this is definitely worth a closer, longer look.

What sticks?

I am trying to build some new habits, put up some new ideas, and will see what sticks.

I am still here.

I am in a cycle, a periodic cycle of posting. In the gaps between these posts, I am still active. I often find that I don’t want to be at a computer, I don’t feel that what I am doing is worth talking about, or… I am not sure what else. So, starting with today, and working my way into the recent past, I took a trip with John to the Art Ark Gallery in San Jose to set up two barrows from the EamesTillsonCollective (ETC). The gallery hosts an annual show called The More the Merrier.

This year we have the Cellars Belles and an Untitled Barrow for viewing. Check out some images of the work and more info on the show itself.

Sliding into mid-winter break…

Well, it was a week that went by pretty quick, in hindsight anyway. Not too much to report. Classes are moving along, students should be finishing up their monster project. We are realizing that this year is primarily experiential for students. Quality is a challenge when you are not working with students, rather guiding them through the steps remotely, and oftentimes without seeing their work easily, or at all before it is finished.

We did fire the kiln, some sheep came out (Check out hideNsheep on Instagram for updates on that project.), and a valentine piece I made for Cat. Slip cast and then modified, underglaze and glaze, single-fired. I am still playing some with the clay, beyond the class projects.

Hearts before the firing.

I submitted a mini-grant to the PTA for a new raku kiln, it is more expensive than what they typically fund, so now we wait to hear back. IF they don’t fund it, I may find a different source of funds, and it is in times like these that I want to focus on the Peninsula Pottery, a non-profit, I am just at a bit of a loss as to the next steps in promoting it, there are not many opportunities in COVID-times for that sort of thing.

Another week, more thoughts.

So here we are, another week into the year. I am feeling pretty good about the 100-day project. I think I picked a decent approach and have in mind that I will start soon working on the actual transfer of the drawings.  Here are a few of my favorites so far. You can follow the Instagram account for the daily update.

I am waiting still to hear back about the official aspect of the Master’s program and will definitely post an image of the degree when it shows up, until then, I’m moving on. I signed up for a class through the Ceramic Materials Workshop folks and so far have found some really good, introductory information. There are longer and more in-depth classes offered but I think this is a good start. I also bought a book by John Britt to help me understand more. 

Beyond that, I fired off two kilns at work this week, one bisque and one glaze, and am waiting patiently to see how the glaze fire turned out. I have a few small things in there amidst the student work. More to come about that when the cooling has happened.

So the kilns fired just so, it’s good to see. One of the projects in the glaze fire is a new flock for my @hideNsheep project. As a part of that, I started looking into core values and came across this list from James Clear, who I happened to have started following recently, so that was pleasant to reaffirm that I appreciate his content. Anyway, I am working on adding core values to the sheep, so that when they are found, they can spread some positive messages. 

All for now.